Century #2: A Season of Disaster

A Venture

August 4, 1898

It was a year of dire hardship in the parish of Saint Tammany. A deadly hurricane was followed by 6 months of drought followed by a tropical storm that spawned a tornado that leveled the village of Zita. To top it all off, the whole country was mired in the worst depression of the mostly finished century. The general state of the area was miserable and tragic. If you were just miserable you were one of the lucky ones.

Times were never easy in this place of bayou and soggy plain, surrounded by low scrabble hills. Farming is a foolhardy proposition, fishing is difficult due to the paucity of good landings and no ports to speak of. The river is out of reach at least the big river. The Pearl River splits to surround the parish Mississippi gets the useful part leaving the muddy, weed-choked channel fit only for wildlife habitat and poachers.

Zachary Chambers finally gave it up. He told his wife Carmen, a Cajun woman brought up deep in the bayou country, that the land was good for nothin’ but burying a body and he wasn’t lookin’ to be one of those bodies.

He was a farmer but had learned several useful trades carpentry and masonry. He was good with animals and skillful with a boat. She was able to make almost anything grow, anywhere except the piece of land in the gravel and clay of the low hill country. Together they had made a fine log house of 3 rooms, but they and their two boys were almost always on the edge of starvation.

“Now we ain’t good for nuthin layabouts,” He said to Carmen one day as they were standing next to a field of ruined corn after the tornados had ripped through the county, across the small outpost of Zita and through their particular corn field.

“We work and toil and struggle and what do we get for it? Ruin and starvation,” he finished throwing his hat down on the dusty clay. Carmen, who never said much, just look sadly across the tangled, blackened mess that used to be bright green corn stalks as high as her shoulder and nodded in agreement.

“Now I propose we hitch that old mule to our cart. Fill it with our meager worldly goods and rid ourselves of this god-forsaken place. We don’t owe nobody anything. We are free to go. Nobody standin’ in our way s’far as I see it.”

Carmen looked down blinking back quiet tears.

“It is so. No one is lookin’ to us to keep ’em up neither. Ma and Pa and all the family are doing well enough out there. That ain’t the life for me no more. I can’t go back.”

So they gathered up their meager possessions and loaded them in the back of the old buckboard wagon that Zach’s father had built and Zach had repaired many times. Carmen gathered what food they had stored and got the boys ready.

They were small, muscular boys with boundless energy like puppies always wrestling and curious about anything new. They had remained fairly healthy and in good spirits despite their life of privation. Zach Jr. was 8, and Jean Jacques, who they called J. J. or Jack, was 5. The boys exploded out of the house with whoops and shouts. Zach Jr. grabbed JJ in a headlock.

“So little brother what you think ‘bout this. We goin’ on a venture.”

“what’s a venture?” JJ’s calm but muffled voice came out of the headlock.

“A venture is a long trip when you don’t know where you goin’,” Zach spoke to the back of JJ’s head and then let him loose sprinting to the wagon. JJ unperturbed by this treatment raced after him.

Posted in Family, Fiction, House and home, Of the Road and The River, Telling Stories, Voices in the Chorus | Tagged , , | Leave a comment

Century #1: A Small Town in Texas

Rozpadající se cihlová stěna (004)

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A Big Wind Through a Small Town

September 8, 1900

Ezra sat in the small cell listening to the fearful mutterings in the adjacent cell.  As gusts of wind struck the wood and brick building, low groans and creaks emanated from the walls. Around 5 in the evening the sound of water rushing in the streets and screams and shouts of alarm here and there in the distance just over the roaring of the wind. At 7 pm, a deputy waded in and told them to get out if they could he was leaving too and couldn’t let no man drown or be crushed without a trial. He tossed the keys to a man in the cell next to Ezra’s and ran out. The man unlocked his cell and tossed the keys to Ezra as he yelled, “Good luck, stranger!” as he sprinted out the open door.

When Ezra got to the street the wind and water hit him carrying him 10 feet and hard into a lamppost. He grabbed the post and hung on. He saw the building he just left, three stories of brick swaying in the wind. Sheets of water interrupted his view feeling like sand on his face and neck. The wind eased up a little so that he could let it take him up the street a little and not go flying off. He found a low building and threw himself into the door. It was boarded or locked from the inside. He crawled to the front and picked up a brick that had come loose from the facade. He crept down into the alley. The wind whistled and howled in the narrow space between the buildings, but he could stand he found a small window on the side and broke it with the brick. Climbing in, he hoped no one was home. The top of the building next door crashed into the alley and on top of the one he had just entered. The ceiling groaned as he ran into a room away from the alley. He slowed to a fast walk in the dim hallway and up into the empty store. He heard a creak and then a grinding crash as the ceiling in the backroom collapsed under the extra weight of the bricks.

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Inspirations

I breathe in

living particles

through tubes into smaller tubes

connecting to my heart.

 

I create future fields in bloom

rings of color radiate

surrounding small pools

of spring rain.

 

I travel the passage leading

to a room of infinite exits

each one a trap

bated by experience.

 

I see the sky through

a bony eye frame

on a blood dusty plain

no sign of humanity.


I am writing this in a book

someone else started

spitting blood into a toilet

and flushing it onto white polished paper.


 

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Abstraction II:The Eloquence of Silence and Unimportant Details

Joan Miró

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“It is completely unimportant. That is why it is so interesting.”– Agatha Christie

Miró‘s Search for Mute Music

Miró refused to comment, despite the heated debate that was going on. Max Ernst grabbed a coil of rope, while others pinioned Miró’s arms. The noose was laid around his neck and he was threatened with the death penalty for keeping his mouth shut. Still, he remained silent.  from Miró” by Janis Mink


What I am looking for… is an immobile movement, something which would be the equivalent of what is called the eloquence of silence, or what St. John of the Cross, I think it was, described with the term ‘mute music’– Joan Miró

“For me an object is something living. This cigarette or this box of matches contains a secret life much more intense than that of certain human beings.– Joan Miró

I find rubies and emeralds in the dung heap– Rembrandt van Rijn quoted often by Miró

The moment I begin work on a canvas I fall in love, the love that is the daughter of gradual understanding. A slow appreciation of the manifold nuances, the concentrated glory of the sun. It is a joy to await an understanding of a blade of grass in the countryside– why belittle it? This blade of grass that is equally as beautiful as a tree or a mountain.– Joan Miró

I am working hard; going toward an art of concept, using reality as a point of departure never as stopping place.– Joan Miró

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Abstraction

Abstraction is often the most definite form for the intangible thing in myself that I can clarify in paint. . . I found I could say things with color and shapes that I couldn’t say any other way– things I had words for.Georgia O’Keeffe


I want to think some wordless thoughts today. There is a joy I find in pure images, even the frightening or grotesque, that I cannot reach with words. Words are only one way to communicate, and often I often break and mangle the thoughts and ideas as I try to force them into word boxes that are unable to hold them.

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