River of Dreams #1: Kicking My Novel Out of The Nest

I have decided to publish my first and only unfinished, at this point, novel here in order to be rid of it. Much like Nabokov, not in quality unfortunately, I must finish it, but can’t at this point due to time and attention constraints. This will be one way of blogging, editing and exorcising it to an end. So with all its many flaws here is the first installment of  many.

River Of Dreams

Part I

Separate Departures

Chapter 1

Mexico?

Sunset on the luna sea

Leaves between you and me

Nothing but the right to be

And ripples drifting silently


In the swirl of the fading dream, a memory of the turquoise water off Cabo San Lucas took its place as he fell into consciousness. The firmness of the mattress came under him, and Random felt her breath on the side of his face, her soft sighing in his ear.

Why Mexico?

She wasn’t there. It was before all this, all these years of struggle and searching for the right way to be together. Then there was only friends and fantasies and time to fill.

On the ferry from Mazatlan, he had been sick with strep throat and slowly coming out of a feverish fog and nausea of seasickness. He hardly remembered leaving the little white sand island with the one little cantina and the one-room, stucco, chicken wire cottage on the beach they rented for a few pesos a day from the woman who ran the open air fish stand next to the cantina. At night there was the oompa oompa from the mariachi music on the jukebox coming through the walls.

The old woman stood in the grease-covered kitchen under the thatch roof with no running water to clean the dishes. She sold fried fish and green coconuts, tops lopped off with a machete and a straw stuck in for the juice. After a long night of Mariachi oompas, she apologized. She had no fish to cook. The fisherman where too drunk to fish.

All this came back to him with the question.

Why Mexico?

His friends left him at an inn in Cabo, and headed north on the bus, while he lay weak and feverish dozing with just enough consciousness to drink the sodas that they had bought and take the antibiotics. Random woke up the next day feeling almost well, but alone in Mexico with just enough money to make it back to Tijuana and the border. His calmness surprised him. He had never been alone on the road before.

He went out to get something to eat and find out where to catch the bus.

Then he knew why Mexico. He was alone and relying on nobody else to get him through. And, it was O.K., a little scary but not at all overwhelming. He could handle anything after that. He had to believe everything would work out for the best.

Random thought of Essie, as she began to softly snore. Should he leave and let her sort it out, or wait and see? He saw the edge of the waterfall and the current was dragging him near to the point of where he could not avoid the roaring chaos.

He moved rolling toward Essie, putting one arm over her side. They were face to face. Her breath was a little stale. She wrinkled up her nose and eyes, squinching her face down and then relaxing. He closed his eyes.

He thought of the crowded bus that took him to Mulege. The seats and center aisle were full of people and animals. A squat, dark woman in a flowered dress stood in front of him as he clung to the edge of a seat. She held a chicken under her arm its head tucked away the tail feathers just inches from his nose. Every time the bus took a curve he got a face full of feathers.

When the bus reached Mulege, the bus driver told them that flash floods had washed out sections of the road up the coast, they would have to wait for another bus the following evening to take them up the Baja peninsula. Random found a room at a little inn and went to the store in the town plaza, a square with a simple fountain in the center. He asked the man at the store about the bus and found out it would come about 6 in the evening. He bought some cottage cheese, bread and a tomato and headed back across the dusty plaza. It amazed him that about a hundred miles north it had rained so hard that it washed roads out. Here dust rose around each step he took.

He got up at 8 am and made a sign that said TIJUANA and walked a little ways out of the town on the highway. He stood, sat, squatted, leaned, and paced holding his sign up to the few passing vehicles that seemed to be held together with prayer. AT 4 in the afternoon, he gave up, and trudged back to the plaza to wait for the bus.

In the plaza, a group of boys from a  middle class school sat around on their parent’s hand-me-down luggage. They were all dressed in neat new clothes all nicely pressed. He felt squalid next to them in his dirty clothes and carrying his dusty backpack. He could not recall when he had last bathed as if the dust and sweat had become part of his body like a strange glue somehow holding him together.

A boy of about 15 came up to him smiling and nodded and said in carefully practiced English, “Are you reech? You are American, right?”

Random gave a silent closed mouth laugh and shook his head. “No just not as poor, maybe.”

He talked with the boy about America, a little in English and a little in Spanish until the bus came roaring and rattling into to the plaza and wheezed to a stop.

The bus bounced and bumped through the night up and across the Baja peninsula past the beer can and plaster shanties and empty dust choked wastelands now magically without water. Random dozed and dreamed the whole way and woke many times to the voices of the boys in the back laughing and singing and arguing in loud friendly voices.

Essie rolled away and groaned. Random moved to her putting his arm over her side again and  pressing up against her back. He heard the soft sighing snore.

The baja night rolled into a blazing dawn with silhouetted dunes and the dark slate ocean stretched to the west. There was a stop in Ensenada and little bare foot boys came up to the bus shouting, “Chicle, Chicle,” holding up their slim packs of gum. Random stayed on the bus. His body felt like dirt and ache. He was ready to go home.

When the bands of sun through the blinds woke him, he was alone. Essie’s side of the bed was neatly folded to. Random lay there trying to figure out what part of the memory had been a dream. He still felt dirty and his body was tired to bone. He shuffled into the bathroom and turned on the shower. Washed quickly and just stood letting the hot water run down his shoulders and back. He stepped out of the shower and went back into the bedroom. As he looked through his drawers he began to notice that all of Essie’s things were gone, at least all the things that mattered. He went to the closet and saw his shirts and suits, slacks, ties and belt. None of her things remained. How had she packed so quietly? He was a light sleeper. Essie often woke him up just by entering the room late at night. They had had fights about it as he had to get up early, and she worked mostly from home.

He looked around for a note even though he knew he would not find one. She was gone, and he would hear from her when she was ready. That’s the way she was when he found her. Actually it was Jered that found her on his way down the Orinoco River. Jered was one of his traveling buddies in Mexico.

Jered brought her back by using his father’s influence in the state department. Random met her in Steve’s funky basement room in Berkeley at the five-year reunion of their sudden departure from the conservation corps where they had met and the Mexico trip that followed a few weeks later. As the night passed into to early morning, and the stories came from deeper places, Random caught glimpses of drama that she wore like a cloak around her.

Jered held her loosely. It was the only way to hold her—she did not fall into traps. Jered was the same way. He always went his way, and he let you know if you were part of his plans. Random was always surprised when Jered included him.

When Essie showed up the apartment on Buchanan the summer after the reunion, he felt overwhelmed with confusion and a feeling of unworthiness, as if a goddess had come to his door asking for help.

Random drank his coffee and sifted through memories that formed tangents and branched out into his life of the last 10 years. He had always known she would leave, because he would try to hold her, demand some commitment so he could breathe again. He had been holding his breath since the day she walked into his apartment fiery tears of rage flying. Jered was gone!

“He dint eben leafay a fuckeen note or nuthin’, Man that bastard! If I eber fine heem I keel him!”

She raged and paced, and as he watched, his heart melted down and molded into a shape that would hold her gently. But, he could never trust the shape and had to every now and then work on the extensions like bars of a cage he hoped to finish before she escaped.

He reached out and touched her shoulder, and asked her if she wanted to go out for some lunch, and they could talk more.

Random took another sip of coffee and decided he needed something to eat, but what. Toast maybe some honey. Yeh, that would work. He didn’t want more than that. He had to put all this into some kind of picture of the rest of his life, or at least the rest of today.

Posted in All part of the process, change, developing relationships, Dreamtime, Fiction, Mexico, mindworks, music, NaNoWriMo, novel projects, Of the Road and The River, River of Dreams, Telling Stories | Tagged , , , , , | 2 Comments

A Visual Feast: The Imaginarium of Dr. Parnassus

Last night my eyes were treated to meal of imagery that will feed my dreams for a while to come. The Imaginarium of Doctor Parnassus, directed by Terry Gilliam is full of wonderful weirdness and visual ideas that defy description with some Monty Pythonesque silliness (policeman in drag chorus/dance number among others) in the mix. On the whole a frantic display of interesting writing and fine acting, though at times the story gets a little lost in the exuberance, with some effective and strange cameo performances from Johnny Depp, Jude Law, and Colin Farell as Heath Ledger‘s stand ins. It is amazing how similar they seem here. Johnny Depp is most captivating in his pass as the beguiling conman.Tom Waits makes the devil come to life as creepy, cynical and blackly humorous Mr. Nick. Christopher Plummer and the rest of the cast are all very capable and well suited to their parts.

Most of all the splendor of the vision is the driving force in this movie. It is eye candy in its most glorious incarnation. Terry Gilliam is the master of the dream show. The devil walking on cloud stairs and mile high split ladder stilts. Amazing!

Posted in Check this out, Dreamtime, my museum of inspiration, scenes on screens, wonder world | Tagged , , , , , , | Leave a comment

Answers Without Questions: Being My Silly Self In the Classroom

I was going through my job hunting file and found these answers without questions. They say a lot about my process as a teacher and what I value in my work with young children. Luckily my new position lets me do and be all these things. My assistants have a lot of patience and open-mindedness; So I get to let my creativity, sense of humor, and silliness out without stressing my colleagues too much. I suspect that my main assistant is even sillier than I am.

  1. Easel painting is a good activity for developing hand eye coordination and sensory integration. Focusing on the process is important. Even easel painting could be presented in an inappropriate manner.
  2. Finger painting with pudding is an excellent sensory activity for any age, but especially for 2 to 4 year olds. Sensory activities assist in the process of brain/body integration as well as many other developmental areas. You would have to address the health concerns as with all food related activities.
  3. Most children know their primary colors by the time they are 4 ½, but I would not be concerned if a child took longer in this task unless there was other evidence of cognitive delays.
  4. My goal as an educator is to instill in each child a feeling of competency and joy in the learning process and to give parents the confidence to be capable teachers and advocates in their child’s education.
  5. I am very good at developing relationships with students and parents that help me create a positive learning environment.
  6. When parents work in the classroom children get the opportunity to practice communication and social skills with peers and develop positive relationships with adults. Their parents get to expand their resources on education and parenting in order to become better teachers and advocates for their children.
  7. Anytime I work in a classroom gain new knowledge about children, parents and the world. I expect that working at this center would be similar.
  8. They would describe me as sensitive, knowledgeable, understanding, creative, silly, sometimes funny, but most of all able to build relationships that encourage growth and learning for everyone involved.
Posted in All part of the process, developing relationships, lists, my life, Teaching and Learning, thinking in words, working world | Tagged , , , , , | Leave a comment

Two Poems by Bukowski: Words for the Long Journey

Our family is graduating my youngest son from High School as a home schooler (where did those years go?), and I was trying to find words to say that fit what I wanted to tell him about going out in the world. Then as if by some fortunate flow of the universe I drifted to a place where these poems popped out of sand like bright shells. They are just about perfect.

Some parts of them make me nervous, the parts about loss and isolation (especially knowing what kinds of choices Bukowski made/ he had his own demons to fight) but sometimes we hang on to things that kill us inside for no good reason. Sometimes things are worth hanging on to. Fortunately, those are often pretty clear. You have to make choices in life. It is better to make the choices than to let life make them for you.


Laughing Heart

your life is your life
don’t let it be clubbed into dank submission.
be on the watch.
there are ways out.
there is a light somewhere.
it may not be much light but
it beats darkness.
be on the watch.
the gods offer you chances.
know them.
take them.
you can’t beat death but
you can beat death in life, sometimes.
and the more often you learn to do it,
the more light there will be.
your life is your life.
know life is your life.
know it while you have it.
you are marvelous
the gods wait to delight
in you.


Roll the Dice

if you’re going to try, go all the
way.
otherwise, don’t even start.

if you’re going to try, go all the
way. this could mean losing girlfriends,
wives, relatives, jobs and
maybe your mind.

go all the way.
it could mean not eating for 3 or
4 days.
it could mean freezing on a
park bench.
it could mean jail,
it could mean derision,
mockery,
isolation.
isolation is the gift,
all the others are a test of your
endurance, of
how much you really want to
do it.
and you’ll do it
despite rejection and the
worst odds
and it will be better than
anything else
you can imagine.

if you’re going to try,
go all the way.
there is no other feeling like
that.
you will be alone with the
gods
and the nights will flame with
fire.

do it, do it, do it.
do it.

all the way
all the way.
you will ride life straight to
perfect laughter,
it’s the only good fight
there is.

Posted in Check this out, Family, make your own world, mindworks, my life, Other peoples words, philosophy, poetry, Teaching and Learning, thinking in words | Tagged , | 6 Comments

Storytellers Inside the Story: Cormac McCarthy’s “The Crossing”

Cover of "The Crossing"

I have been listening to a fine reading (by Alexander Adams) of Cormac McCarthy‘s  “The Crossing.” In it the Author uses different voices to comment on the nature of storytelling, good and evil, life and death, the value of art etc. This is all intertwined with the story of teenage boy who piece by piece loses his family and his place in the world. It is an amazing story, but you have to be patient and listen carefully for the voices of the storyteller inside the story. His use of language and voice and evocation of culture and philosophy are visceral and plant you firmly in the larger story.

I have been listening on my way to work and home, about an hour each way. By the time I got where I was going I was thoroughly lost in the language and culture of the story.

Here are some examples of commentary made by storytellers inside the story that made me think about my life and world more closely.

The Priest in the Ruined Church

” Yet even so there is but one world and everything that is imaginable is necessary to it. For this world also which seems to us a thing of stone and flower and blood is not a thing at all but a tale. And all in it is a tale and each tale the sum of all lesser tales and yet these are the selfsame tale and contain as well all within them. So everything is necessary. Every least thing. This is the hard lesson. Nothing can be dispensed with. Nothing despised. Because the seams are hid from us, you see. The joinery. The way in which the world is made. We have no way to know what could be taken away. What omitted. We have no way to tell what might stand and what might fall. And those seams that are hid form us are of course the tale itself and the tale has no abode or place of being except in the telling only and there it lives and makes its home and therefore we can never be done with the telling. Of the telling there is no end. All tales are one. Rightly heard all tales are one.”

“Nor does God whisper through the trees. His voice is not to be mistaken. When men hear it they fall to their knees and their souls are riven and they cry out to Him and there is no fear in them but only that wildness of heart that springs from such longing and they cry out to stay his presence for they know at once that while godless men may live well enough in their exile those to whom He has spoken can contemplate no life without Him but only darkness and despair. Trees and stones stood in mortal peril and knew it not. “

” To see God everywhere is to see Him nowhere. We go from day to day, one day like the next, and then on a certain day all unannounced we come upon a man or we see this man who is perhaps already known to us and is a man like all men but who makes a certain gesture of himself that is life the piling of one’s goods upon an altar and in this gesture we recognize that which is buried in our hearts and is never truly lost to us nor ever can be and it is this moment which we long for and are afraid to seek and which alone can save us.”

” The task of the narrator is not an easy one.  He appears to be required to choose his tale from among the many that are possible. but of course that is not the case. The case is rather to make many of the one. Always the teller must be at pains to devise against his listener’s claim — perhaps spoken, perhaps not — that he has heard the tale before. He sets forth the categories into which the listener will wish to fit the narrative as he hears it. But he understands that the narative is itself in fact no category but is rather the category of all categories for there is nothing which falls outside its purview. All is telling. Do not doubt it.”

“. . . the lesson of a life can never be its own. Only the witness has power to take its measure.  It is lived for the other only. The priest therefore saw what the anchorite could not. That God needs no witness. Neither to Himself or against. The truth is rather that if there were no God then there could be no witness for there could be no identity to the world but only each man’s opinion of it. “

“There is no man who is elect because there is no man who is not. To God every man is a heretic. The heretic’s first act is to name his brother. So that he may step free of him. Every word we speak is a vanity. Every breath taken that does not bless is an affront.”

“Stones themselves are made of air. What they have power to crush never lived. In the end we shall all of us be only what we have made of God.”

The Blind Man

“Every tale is a tale of dark and light. Yet there was a further order to the narrative and it was a thing of which men do not speak. The wicked know that if the ill they do be of sufficient horror men will not speak against it. That men have just enough stomach for small evils and only these will they oppose. True evil has power to sober the smalldoer against his own deeds and in the contemplation of that evil he may find the path of righteousness which has been foreign to his feet and may have no power but to go upon it. Even this man may be appalled at what is revealed to him and seek some order to stand against it. Yet in all of this there are two things which perhaps he will not know. He will not know that while the order which the righteous seek in never righteousness itself but is only order, the disorder of evil is in fact a thing in itself. Nor will he know that while the righteous are hampered at every turn by their ignorance of evil to the evil all is plain, light and dark alike.”

“. . . words pale, and lose their savor while pain is always new.”

Posted in All part of the process, Check this out, Fiction, mindworks, my life, Other peoples words, paying attention, philosophy, Telling Stories, thinking in words, visions from the dark side | Tagged , , , , | 2 Comments